OF ALL THE HEAVENS, THE SKY 
Hyperbole of the spatial dimension, Anguio endows the perceived object with an unusual importance, meticulous in the point of view, geometry, perspective, exhibits the cult of what is represented. The "human" has been displaced from the narrative, to replace it with a "cold" objectivity free of any anecdote, and thus, surprisingly, a suspicion, a premonition, an intrigue surrounds us, resulting from the perception that we are observed from the representation, a suspicion that "something" in the painting is hidden to observe us.  

Raúl Moneta, 2014.